4 - Conclusion

Going off of my previous blog post, both F. N. Souza and Amrita Sher-Gil were largely successful due to their connections with Europe. After the Colonial Era, the most popular artists who weren't European were either half European, or able to cater their art to a European audience, because they were the only people who had the ability to offer success in the form of recognition. If artwork were to be catered towards a non-Western audience, it would not be recognized because, by the "standards" of art, it would no longer contain the European ideals and motifs that became so popular after colonization. In this way, other than the forceful erasure of culture, art was also changed around the world to cater to a white audience, because that was the only way their art could gain value and recognition. Countless art styles and techniques were lost around the world because they had to be abandoned; they no longer fit the "beauty standards" of art in this globalized world. 

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1- Pre-Colonial Art Research

2- What does Colonialism Mean, Really?

Introduction